Shelleys Hymn to Intellectual Beauty and Mont Blanc Essay example --

For Shelley, poetry moves beyond descriptive communicability it defers meaning, destabilizes understanding, and de beaten(prenominal)izes perception. poetry awakens and enlarges the mind, he says in A Defense of Poetry, by rendering it the receptacle of a thousand unapprehended combinations of thoughts (961). The poet-figure envisions new realities and new emotions, the likes of which invalidate, if not eradicate, intimations of referential meaning. Poetry, Shelley states in his Defense, lifts the veil from the hidden beauty of the world, and makes familiar objects be as if they were not familiar (961).1In Hymn to Intellectual violator and in Mont Blanc, Shelley offers an intriguing, though perplexing, come across at the functioning of the human mind under the influence of nature, inspiration, and poetical creativity. Composed during a tour of the vale of Chamonix between June 22 and shocking 29, 1816, nearly twenty years after the composition of Wordsworths Tintern Abbey, Shel leys poems can be read, as some critics have done, as a Wordsworthian jazz (Brinkley 45). Shelley and his literary precursor share a similar interest in some of the ways the mind works in and reacts to Nature. But whereas Wordsworth finds ease in Nature -- a setting wherein he behaves as a lover of the meadows and the woods / And mountains, and of all that we behold / From this green earth (Tintern Abbey, 104-106)2 -- Shelley in the long run finds it spiritually and intellectually dissatisfying. Although they both use the natural setting and embellish as their subject, the parallels between Shelleys poems and Wordsworths remain somewhat perfunctory.Nature, for Shelley, is nefarious. The universe of Shelleys Intellectual Beauty and Mont Bla... ... 242 (1986 Dec) 45-57.McNulty, J. Bard. Self-Awareness in the Making of Tintern Abbey. The Wordsworth Circle 122 (1981 Spring) 97-100.Shelley, Percy Bysshe. Alastor. Romanticism, foremost ed. Ed. Duncan Wu. Oxford Blackwell, 1994. 834- 852.--- Hymn To Intellectual Beauty. Romanticism, 1st ed. Ed. Duncan Wu. Oxford Blackwell, 1994. 852-855.--- Mont Blanc. Romanticism, 1st ed. Ed. Duncan Wu. Oxford Blackwell, 1994. 855-860.--- A self-renunciation of Poetry. Romanticism, 1st ed. Ed. Duncan Wu. Oxford Blackwell, 1994. 956-969.Storey, Mark. The Problem of Poetry in the Romantic Period. New York St. Martins Press, Inc, 2000.Wordsworth, William. Tintern Abbey. Romanticism, 1st ed. Ed. Duncan Wu. Oxford Blackwell, 1994. 240-244.--- 1802 Preface to the Lyrical Ballads. Romanticism, 1st ed. Ed. Duncan Wu. Oxford Blackwell, 1994. 250-269.